Pictures 2010

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Pictures 2010
New Jersey students explore the intersection of music and visual art
 

5th annual New Jersey Arts Collective
Student Music Composition Contest Winners

College Winner
Thomas Oltarzewski,
Whirlwind
(Montclair State University – Montclair, NJ)
Undergraduate in Music Composition
Hometown – Toms River, NJ

College Honorable Mention Winners
Nicole De Maio,
Whirlwind
(Montcair State University – Montclair, NJ)
Undergraduate in Music Composition and Music Education
Hometown – Toms River, NJ

Molly Rotondo,
Defeating Enthrallment
(St. Peter’s College – Jersey City, NJ)
Undergraduate in Criminal Justice and Music
Hometown – Little Falls, NJ

Pre-College Winners
Siddarth Viswanathan,
Whirlwind
Senior at East Brunswick High School – East Brunswick, NJ

Tyler Rubin,
Cyclonic Calm
Senior at Somerville High School – Somerville, NJ

Pre-College Honorable Mention Winner
Kevin Madison,
Spring Winds
Freshman at North Plainfield High School – North Plainfield, NJ


All pieces were performed at the COMPOSER’S FORUM on Tuesday, April 13, 2010 at 2pm at
WILLIAM PATERSON UNIVERSITY, Hunsiker Theater

Pieces by Thomas Oltarzewski, Nicole De Maio, Molly Rotondo, Siddarth Viswanathan,
Tyler Rubin and Kevin Madison
will be performed on Sunday, May 8 at 1pm at the
PICTURES 2010 CONCERT at the Montclair Art Museum along with
the Ionisation Pictures 2010 Commission,
Whirlwind by Amanda Harberg.

 

J. Scott Hartley
1896, Bronze
Montclair Art Museum
Gift of W. I. Lincoln Adams

CONTEST WINNERS

CLICK HERE FOR MORE CONCERT INFORMATION

CLICK HERE TO DOWNLOAD A CONCERT PROMOTIONAL FLYER


Information about the sculptor and the sculpture

Jonathan Scott Hartley (1845 - 1912)

Jonathan Scott Hartley, a late nineteenth century sculptor, helped influence the newly developing artistic center of Montclair, New Jersey. Hartley, son-in-law to the famous landscape painter George Inness, was born in Albany, New York and was first employed in a marble monument yard. It wasn’t until later that he was able to work in a studio with one of the most famous neo- classical American artists of the day, Erastus Dow Palmer. Hartley then went abroad, spending most of his time in London, Berlin, and Paris, where he studied the great sculptors. He returned to New York in 1875, and soon produced his acclaimed piece The Whirlwind, in 1878.

After his marriage to Helen Inness in 1888, Hartley moved to Montclair, where he continued to work as a sculptor. “The Hartleys lived next to the great landscape painter in a reconstructed farmhouse, connected to the Inness house by a covered passage. There was a large studio on the grounds which was used by both the painter and his sculptor son-in-law.”(1) At this time his focus was on the production of portrait busts, many of them actors portraying their most famous roles.

Toward the end of his life Hartley returned to New York, where he died in 1912.

Dana E. Stoy (2003), The Richard Stockton College of New Jersey

(1) William H. Gerdts, Painting and Sculpture in New Jersey (Princeton, NJ: Van Nostrand, 1964), pp.189-190


The Whirlwind

Hartley began exhibiting at the [National] Academy in 1870, but fame came to him only when his [clay] work The Whirlwind was shown in the 1878 annual. (In 1896 he reworked the conception [in bronze], a version of which is in the collection of the Montclair Art Museum.) The artist’s attempt at employing violently swirling drapery to depict movement in the traditionally static medium of bronze caused a minor controversy. Nevertheless, critics soon realized that his was a particularly versatile talent.

from David B. Dearinger, Painting and Sculpture in the Collection of National Academy of Design (v. 1).

Mr. Hartley’s fame is largely due to his ideal subjects in clay, one of which, entitled “The Whirlwind,” created no end of public discussion in 1878. This remarkable work, the personification of the whirlwind, was first exhibited in 1878, the year in which Mr. Hartley was made an associate of the Academy of Design. This beautiful nude figure of a woman, involved in whirls of drapery, appears to spin in perfect poise, in a pillar of cloud. The criticism which it aroused was due to a certain feeling that action is not permissible in sculpture. Mr. Hartley’s works are exceedingly numerous, and include the statue of Ericsson, which graces Battery Park, and a splendid statue of Daguerra, in Washington.

from Theodore Dreiser, America's Sculptors, NY Times Article, September 25, 1898
 

 

 


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Last updated on: 04/19/2011